New Exhibit At Birmingham Museum of Art Shows American History’s Violent Struggle
Artists often draw on historical events for inspiration. But American history through the brush of Jacob Lawrence has its own distinctive style. The African American artist is considered one of the great modernist painters of the 20th century. An exhibit featuring his series of paintings “Struggle. . . From the History of the American People” opened Friday at the Birmingham Museum of Art.
Lawrence was born in 1917. The painter came of age in New York City and studied with artists of the Harlem Renaissance. He gained national prominence in his twenties and is best known for collections of paintings that tell a story. His most famous series depicts the Great Migration of African Americans from the South to the North in the early 1900s.
Artist Barbara Earl Thomas was a student of his at the University of Washington in the mid-1970s. They became close, lifelong friends. She knew him for almost 2 years before she realized that Lawrence was a star in the art world.
“I said that you’d been holding out on me. I said you’re famous,” she recalls. “He just smiled and he said, ‘Oh, Barbara.’ And that was that.”
Lawrence was understated and soft-spoken. But he spoke forcefully through his artwork. The powerof the Struggle series practically jumps out of the panels despite their relatively small size.
“They’re really intimate,” says BMA American art curator Katelyn Crawford. “These are panels that, if you took their frames off, could be held in your hands almost like a book.”
Lawrence’s unique style will grab visitors too. It’s modern art, so the figures are exaggerated and abstract.
“They’re very linear. He’s using hard lines,” Crawford said. “He’s not trying to make his people look like people.”
The angular, geometric figures convey movement. There’s action packed into each scene. Bold, contrasting colors heighten the drama.
Lawrence originally planned 60 panels for this series but produced only 30. They cover the period from the American Revolution to 19th-century westward expansion. While some of his other series are held by museums, this one was broken up and sold soon after it first went on display. It took years to put together the ‘Struggle’ exhibit. Curators had to track down the panels from private collections, and the series may never be shown in its entirety again. Five panels were still missing when the exhibit launched in Massachusetts.
However, when the series was shown at the Metropolitan Museum of Art in New York, a visitor recognized Lawrence’s style and realized one of the panels might be in a neighbor’s home. The painting’s owner contacted the Met where researchers authenticated the work from the private collection. That lost panel is now part of the Birmingham exhibit.
Lawrence’s historical figures do not look like George Washington triumphantly crossing the Delaware River. Soldiers suffer on Lawrence’s panels, hunkered down in their boats, wrapped up, trying not to freeze.
“We don’t need a George Washington figure,” Crawford said. “You’re in the boat with these individuals and each common person is a protagonist in the creation of the early United States.”
The panels are infused with violence: blood is a common feature.
“It’s a real theme throughout the series and I think you never escape that very literal sense of the struggle,” Crawford said.
Lawrence said he was not trying to paint Black history. He was trying to depict a full picture of American history to include Black people, indigenous people, and others. In a 1988 interview with Terry Gross on NPR’s Fresh Air, Lawrence said he was motivated to create compelling art.
“I did them out of sheer drama and out of being able to relate to the content. That was my purpose with doing them,” Lawrence said.
Lawrence created this series in the mid-1950s, during the civil rights struggle. Artist Barbara Earl Thomas says that Lawrence’s work is important today because it forces the audience to wrestle with our shared, troubled history at a time of racial reckoning.
“I think that is now our job, for us to together figure out what we’re all losing by not looking straight into the eyes of the beast that we’ve created together,” Thomas said.
The exhibit runs at the Birmingham Museum of Art through February 7. The museum is a program sponsor of WBHM, but our news and business departments operate independently.
Auburn fires coach Hugh Freeze following 12th loss in his last 15 SEC games
The 56-year-old Freeze failed to fix Auburn’s offensive issues in three years on the Plains, scoring 24 or fewer points in 17 of his 22 league games. He also ended up on the wrong end of too many close matchups, including twice this season thanks partly to questionable calls.
In a ‘disheartening’ era, the nation’s former top mining regulator speaks out
Joe Pizarchik, who led the federal Office of Surface Mining Reclamation and Enforcement from 2009 to 2017, says Alabama’s move in the wake of a fatal 2024 home explosion increases risks to residents living atop “gassy” coal mines.
‘It’s like feeling the arms of your creator just wrapped around you’: a visit to a special healing Shabbat
Members of Temple Emanu-El in Birmingham gathered recently for their traditional Friday Shabbat service. But this particular service was different, as could be seen by all the people dressed in their finest pink.
Space Command is coming to Huntsville. What might that mean for first-time homebuyers
While Huntsville has been a more affordable market than other growing cities, what’s it been like for those looking for their first home?
Colorado says relocation of Space Command to Alabama is ‘punishment’ for mail-in voting
The litigation announced by Colorado Attorney General Phil Weiser asks a federal judge to block the move as unconstitutional.
Breaking down Alabama’s CHOOSE Act
It’s been a year since Alabama legislators passed the CHOOSE Act allowing families to apply for state funds to use towards homeschool expenses and tuition for participating private schools. The Alabama Daily News’ education reporter Trisha Powell Crain has been diving into how the funds are being used. WBHM’s Andrew Gelderman sat down with her to talk about what we’re seeing so far.
