New Exhibit Features Artwork From Alabama Inmates

 ========= Old Image Removed =========Array
(
    [_wp_attached_file] => Array
        (
            [0] => 2020/02/Inmate_SelfPortrait.png
        )

    [_wp_attachment_metadata] => Array
        (
            [0] => a:5:{s:5:"width";i:846;s:6:"height";i:476;s:4:"file";s:31:"2020/02/Inmate_SelfPortrait.png";s:5:"sizes";a:10:{s:9:"thumbnail";a:4:{s:4:"file";s:31:"Inmate_SelfPortrait-140x140.png";s:5:"width";i:140;s:6:"height";i:140;s:9:"mime-type";s:9:"image/png";}s:6:"medium";a:4:{s:4:"file";s:31:"Inmate_SelfPortrait-336x189.png";s:5:"width";i:336;s:6:"height";i:189;s:9:"mime-type";s:9:"image/png";}s:12:"medium_large";a:4:{s:4:"file";s:31:"Inmate_SelfPortrait-768x432.png";s:5:"width";i:768;s:6:"height";i:432;s:9:"mime-type";s:9:"image/png";}s:5:"large";a:4:{s:4:"file";s:31:"Inmate_SelfPortrait-771x434.png";s:5:"width";i:771;s:6:"height";i:434;s:9:"mime-type";s:9:"image/png";}s:9:"wbhm-icon";a:4:{s:4:"file";s:29:"Inmate_SelfPortrait-80x80.png";s:5:"width";i:80;s:6:"height";i:80;s:9:"mime-type";s:9:"image/png";}s:13:"wbhm-featured";a:4:{s:4:"file";s:31:"Inmate_SelfPortrait-600x338.png";s:5:"width";i:600;s:6:"height";i:338;s:9:"mime-type";s:9:"image/png";}s:20:"wbhm-featured-square";a:4:{s:4:"file";s:31:"Inmate_SelfPortrait-300x300.png";s:5:"width";i:300;s:6:"height";i:300;s:9:"mime-type";s:9:"image/png";}s:18:"wbhm-featured-home";a:4:{s:4:"file";s:31:"Inmate_SelfPortrait-553x311.png";s:5:"width";i:553;s:6:"height";i:311;s:9:"mime-type";s:9:"image/png";}s:22:"wbhm-featured-carousel";a:4:{s:4:"file";s:31:"Inmate_SelfPortrait-470x265.png";s:5:"width";i:470;s:6:"height";i:265;s:9:"mime-type";s:9:"image/png";}s:14:"post-thumbnail";a:4:{s:4:"file";s:31:"Inmate_SelfPortrait-125x125.png";s:5:"width";i:125;s:6:"height";i:125;s:9:"mime-type";s:9:"image/png";}}s:10:"image_meta";a:12:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";s:11:"orientation";s:1:"0";s:8:"keywords";a:0:{}}}
        )

    [_media_credit] => Array
        (
            [0] => Andrew Yeager
        )

    [_navis_media_credit_org] => Array
        (
            [0] => WBHM
        )

    [_navis_media_can_distribute] => Array
        (
            [0] => 
        )

)
1653511313 
1582192455

University of Alabama art instructor Jamey Grimes didn’t fully understand what he was getting into. It was around 2008 and a woman was drumming up support for art classes inside Alabama prisons.

“I think that my luck was just being on the first floor and I was one of the first people she was able to speak with and it sounded like a pretty exciting opportunity,” Grimes says.

That’s how Grimes found himself walking through the fencing, going through security and teaching art to inmates. He says we see depictions of prison life on television or in movies, but it doesn’t prepare you.

“It’s just that it’s not fiction. It’s one of the most real experiences I’ve ever had,” Grimes says.

Alabama’s prisons are overcrowded, violent and understaffed. Last year the U.S. Department of Justice threatened a lawsuit saying it believed conditions in Alabama prisons were unconstitutional.

The prison issue is complex, but an exhibit opening Friday at the Birmingham arts organization Space One Eleven aims to prompt conversation different from the typical fervor. It’s an exhibit of artwork produced by inmates in Alabama prisons.

The art is from the Alabama Prison Arts and Education Project. Kyes Stevens founded it in 2002 at Auburn University. She’s the one who recruited instructor Jamey Grimes as well. The program began with poetry classes and expanded to include arts, the humanities and later, science and math. Stevens says they’re a “human-centered” organization.

“We don’t use the term inmate to refer to people on the inside and the people who participate in our program. They are students and artists and writers,” Stevens says.

The art classes are mostly drawing. That’s because some art equipment is cumbersome for a prison environment or could pose a threat. Grimes says he did get permission to use X-ACTO knives for one project, although it required a tight system to keep track of those tools.

Space One Eleven co-founder Peter Prinz is quick to praise the art now on display as he looks around the gallery. He says it’s like any professional show they’d stage.

“They’re all just superb,” Prinz says. “They’re beautiful in their own right.”

Many of the works are self-portraits. There are poems from inmates mixed in as well. Some drawings contain images related to prison, but many don’t show any connection to incarceration.

The presentation is influenced by its origin. A few sketches are flanked by partitions meant to mimic prison cells. Jumpsuits hang beside them. Prinz says the suits are intended the honor the person who created the art.

The artwork is anonymous and there are no artist statements. It’s the third time Space One Eleven has featured work from the prison arts project. Prinz says people were in awe at past exhibitions.

Kyes Stevens says inmates are seen as different from the rest of society, and in a funny way, displaying their artwork can feed into that perception. She describes a particular attitude from some people.

“[They’ll say] oh my goodness, isn’t it wonderful that ‘these people’ … want to take art classes?” Stevens says. “Of course, they want to take art classes. They’re human beings just like the rest of us.”

Instructor Jamey Grimes says after settling in, teaching in a prison is much like teaching in any traditional setting. In fact, he says it’s harder to keep university students focused on staring at a still life as opposed to staring at their phones. Grimes says inmates are eager to have their work acknowledged, but there’s a proper way to do it.

“I feel like the most respectful thing we can do is to engage their work just like they’re any other human being,” Grimes says. “Treat them that way because they don’t always get treated that way.”

Most people haven’t been behind the walls of an Alabama prison. Artwork is one way to poke through.

Art on the Inside” opens Friday at Space One Eleven in Birmingham. The opening includes a panel discussion about educational programs in Alabama prisons.

 

Trump again blasts Harvard over international students as judge blocks revocation

In a post on Truth Social, Trump said the home countries of some of Harvard's international students are "not at all friendly to the United States" and "pay NOTHING toward their student's education."

Why the Sean Combs trial is about more than ‘Diddy vs. Cassie’

The relationship between Combs and his ex-girlfriend, Cassie Ventura, has been the focus of the prosecution's case so far, but the charges he faces are bigger and broader.

Mumbai’s iconic pav bread might soon be toast

It's a working-class staple. And it could be priced out of the market by government efforts to make bakeries change from wood-fired ovens to other fuels to curb air pollution.

In ‘Words with Wings and Magic Things,’ poetry is beautifully illustrated — and fun!

What do you get if you add poems that are "Shel Silverstein meets Rumi for kids" with pictures of yetis and primordial slime? Words with Wings and Magic Things, a book of illustrated poems for kids.

Inside Ukraine’s last maternity ward in a region surrounded by Russian forces

NPR visits a hospital in eastern Ukraine's Donetsk region, in a town where many residents have fled but some young couples are holding on and hoping to raise their children one day in peace.

Sunday Puzzle: Supermarket Brands

NPR's Ayesha Rascoe plays the puzzle with WAMC listener Maureen Perrotte of Ravena, New York and Weekend Edition Puzzlemaster Will Shortz.

More Arts and Culture Coverage