A book vending machine provides an outlet for D.C.-area authors after funding cuts

A vending machine in Washington, D.C., is providing nourishment — for the mind. LitBox is filled with books by local authors, just steps from the White House, World Bank and International Monetary Fund.

Lauren Woods launched the project in May after growing frustrated with what she saw as some publishers’ focus on sensationalism and the lack of bookstores focused on local authors in the area. “I had friends who wrote award-winning books and couldn’t get their books into D.C. bookstores because they were smaller presses, or they didn’t have a mass appeal, or the book buyer didn’t think they would be profitable,” Woods said. “And that always seemed wrong to me.”

Hardships for authors

Woods is the author of The Great Grown-Up Game of Make-Believe, which won the Autumn House Press fiction prize last year. Her husband, Andrew Bertaina, is also an author.

Inspired by a European book vending machine, she set about planting one in the nation’s capital to try to market books more equitably and see how they sell. The hypercompetitive publishing industry makes it challenging for some books to get into stores, and Woods wants those she still finds excellent to get to readers. “Although those bigger books are going to be marketed differently, when they are marketed equally, they sell pretty equally,” Woods said.

Among the books available via the Litbox vending machine are Litany of Saints: A Triptych by Diana Rojas and Faith by Itoro Bassey.
Among the books available via the Litbox vending machine are Litany of Saints: A Triptych by Diana Rojas and Faith by Itoro Bassey. (Maansi Srivastava | NPR)

Her experiment seems to have worked out so far. People are buying from the vending machine almost as many smaller press books as those from the “Big Five” publishers — Penguin Random House, Hachette Book Group, HarperCollins, Macmillan and Simon & Schuster.

Motivated by funding cuts

The Trump administration’s slashing of federal funding for the arts, which Woods calls “incredibly dispiriting,” has impacted writers. “Everyone is telling you that your words and your voice don’t matter, that they’re not worth putting money behind, and then that’s no longer a priority,” she said.

Woods hopes LitBox can also raise the literary profile of Washington, D.C., whose budget is ultimately controlled by the U.S. Congress. “It’s such a proud literary town, in addition to being a political town,” Woods said. “I’m so proud to live in this city, and it doesn’t get enough good attention. And so I wanted to do something to share my pride in the people that I live with and talk to every day, too.”

The vending machine features a variety of selections, including Let’s Get Back to the Party by Zak Salih, Little Witch’s To-Do List by Helen Kemp Zax and Be with Me Always by Randon Billings Noble. “D.C. is very underlooked in terms of writing. New York is this sort of locus, everybody who wants to be in publishing will go up there and the resources are there, but LitBox is a whole new resource and the sky’s the limit for what it can do and who it can reach,” said Majda Gama, whose coming-of-age poetry collection In the House of Modern Upbringing for Girls is also featured.

Beirut-born Gama says the vending machine has an immediate, tactile feel similar to when people could get their local paper from a newspaper box on the street. “The average person might just want to interact with a local writer without knowing anything about them and they don’t have to go into a Barnes & Noble,” she said.

Lauren Woods created LitBox to help Washington, D.C., area writers get noticed.
Lauren Woods created LitBox to help Washington, D.C., area writers get noticed. (Maansi Srivastava | NPR)

MRP Realty market manager Danielle Fisher oversees operations at Western Market food hall, which hosts LitBox. She’s noticed passersby captivated by the vending machine throughout the day. “When picking vendors for the food hall, we like to gear towards local chains and staples,” Fisher said. “So the idea that LitBox showcases local authors really was a special touch.” LitBox was featured in a book crawl, and Woods has also brought other literary events to the site.

Woods raised nearly $7,000 through crowdfunding and offline for LitBox’s launch. She now hopes to expand to other locations across D.C. in the future, especially in areas that might not normally showcase books.

This story was edited by Olivia Hampton.

 

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