When a horse whinnies, there’s more than meets the ear
Elodie Briefer grew up in the countryside near Geneva — and horses have long been a part of her world.
“I was riding horses when I was young,” she recalls. “I can’t remember at which age I started, but maybe 6 or 7 years old. I did few competitions, but I was never a big fan of that. I would prefer to go for a walk with the horse and enjoy.”
All this time with horses means that Briefer, now an animal behavioral scientist at the University of Copenhagen, has heard a lot of whinnying over the years. She never noticed anything out of the ordinary until a little more than a decade ago when she was working on a project that involved comparing how different animals, including horses, express themselves vocally.
“The first time I really listened to a horse whinny that I had recorded,” she says, “I was confused because I thought there were two horses — as if there [were] two voices at the same time.”
Briefer created a visual representation of the sound file, called a spectrogram, to inspect the whinny more closely. And that’s when she saw two frequencies occurring at the same time: one high and one low.
In a paper appearing in the journal Current Biology, Briefer and her colleagues present a set of experiments that reveal how horses manage to create these two tones simultaneously. It’s a complex feat that seems to be made possible by the anatomy of their vocal tract.
A puzzle worth solving
Briefer was perplexed by what she observed in the whinny for a couple of reasons.
First, larger animals tend to produce lower vocalizations, and the high-pitched part of the horse whinny seemed too high for such a big creature.
Second, a fair number of birds can produce two simultaneous frequencies like this. But among mammals, “it’s quite uncommon, at least when it appears all the time in one type of sound,” says Briefer.
So she decided to investigate how horses do it. Briefer first went to a Swiss stud farm (where her sister, who’s a co-author on the study, works). She threaded a small camera down the noses of 10 breeding stallions until it was just above the larynx. It’s the same procedure that’s routinely conducted on these animals as part of their physical checkups, so they were accustomed to it.
Briefer then played the stallions the sound of a female whinnying, or in certain instances, she paraded a mare in front of them. “And then they started whinnying, so we could actually see what’s going on,” she says.
She noticed how the vocal folds of the larynx vibrated (just like when we speak) to produce the low-frequency part of the whinny.
In addition, just above the larynx, horses have strong cartilage. The video revealed the cartilage constricting, creating a small opening that likely produced a whistle — the high-frequency part of the whinny.
Briefer had her first evidence that two different parts of the horse’s vocal anatomy were likely operating in tandem to produce the whinny’s two distinct frequencies.
A rich and unique blend
Next, Briefer’s colleagues connected with a butcher in France, a country where people eat horses. “I know it’s not the same in every country,” she says, “but there it’s quite common.”
The butcher provided the team with half a dozen horse larynges. “And then you blow air through it to reproduce the sounds,” says Briefer.
They successfully generated both the low and high tones in the excised larynges, confirming the results on the stud farm. Then, when they blew helium through them, the low pitch was unaffected, but the high pitch shifted higher.
That’s what Briefer and her colleagues were expecting, since helium doesn’t affect the pitch of vocal fold vibrations, only that of whistles.
CT scans provided 3D portraits of the same larynges, revealing “a small kind of cavity just above the vocal fold that hadn’t been documented before,” explains Briefer. “That could be where the air is forming a vortex, which then makes the whistle.” More work needs to be done to confirm that mechanism.
Finally, the team tracked down several stallions with a rare disease called recurrent laryngeal neuropathy, which tends to paralyze one of the vocal folds fully or in part. They recorded these animals’ whinnies. The low tone was partially absent, but the high pitch was unaffected.
“That was another confirmation that the high pitch is not produced by vocal fold vibration,” says Briefer. “So it must be produced somewhere else, which is likely this whistle that we identify.”
Taken together, Briefer concludes that a whinny is a unique blending of vocal fold vibration that generates the low pitch and a whistling above the larynx that produces the high pitch.
“It’s a really interesting and exciting development in our understanding of animal communication,” says Jacob Dunn, an evolutionary biologist at Anglia Ruskin University, who wasn’t involved in the study.
Dunn argues that the scientific community continues to discover new ways that animals have evolved to vocalize, compared with humans. And he says the new work contributes to that progress, “represent[ing] a really exciting development in our understanding of the ways that animals produce sound.”
“What I really liked in this paper is that they used a very comprehensive experimental approach that combined different techniques and that all converge the same results,” says Mathilde Massenet, a bioacoustician at the University of California, Los Angeles, who has worked with Briefer in the past but didn’t participate in the new research.
As for why horses might be producing these two-toned whinnies, Briefer’s earlier work suggests they appear to encode different pieces of emotional information. “The [high-frequency] one indicates whether the emotion is pleasant or unpleasant,” she says. “And then the [low-frequency] one indicates whether the emotion is intense or not.”
Massenet says that discerning how complex sounds like the whinny are produced can help yield insights into what it is that animals are communicating. “Understanding the vocal behavior is important for us to have a better idea of how healthy” a population of animals is, she says. “So it has broad implication[s] in both animal welfare and conservation.”
Transcript:
MARY LOUISE KELLY, HOST:
OK, here’s a sound.
(SOUNDBITE OF HORSE WHINNYING)
KELLY: You probably recognized it right away. You probably recognized which animal is responsible for it. But there is more to that sound than meets the ear. Here’s science reporter Ari Daniel.
ARI DANIEL: Elodie Briefer grew up in the countryside near Geneva, and horses have long been a part of her world.
ELODIE BRIEFER: I was riding horses when I was young. And I did few competitions but would prefer to go for a walk with the horse.
DANIEL: So Briefer’s heard a lot of whinnying over the years. She never noticed anything out of the ordinary until she became an animal behavioral scientist and began comparing how different animals, including horses, express themselves vocally.
BRIEFER: The first time I really listened to a horse whinny that I had recorded, I was confused ’cause I thought there were two horses, as if there is two voices at the same time.
DANIEL: Briefer inspected the sound file more closely, and that’s when she saw it – two frequencies produced at the same time, one high and one low.
BRIEFER: So they have basically two tones.
DANIEL: Here’s one of the whinnies that Briefer recorded.
(SOUNDBITE OF HORSE WHINNYING)
DANIEL: Let me slow it down for you. Listen at the very beginning.
(SOUNDBITE OF SLOWED-DOWN HORSE WHINNYING)
DANIEL: A couple things stood out to Briefer. First, larger animals tend to produce lower frequencies, not higher ones. Second, a fair number of birds can produce two simultaneous frequencies like this, but among mammals…
BRIEFER: It’s quite uncommon, at least when it appears all the time in one type of sound.
DANIEL: So Briefer decided to investigate how horses do it. She first went to a Swiss stud farm and threaded a small camera down the noses of 10 breeding stallions until it was just above their larynxes, a procedure the animals are familiar with as part of their regular physical checkups. She then played female whinnies or paraded a mare in front of them.
BRIEFER: And they started whinnying, so we could actually see what’s going on.
DANIEL: The vocal folds of the larynx vibrated, just like when we speak, to produce the low part of the whinny. In addition, just above the larynx, horses have this strong cartilage, and the video showed that cartilage constricting.
BRIEFER: Which makes only a small opening.
DANIEL: Likely producing a whistle, the high-frequency part of the whinny. Next, Briefer’s colleagues connected with a butcher in France, a country where they eat horses.
BRIEFER: I know it’s not the same in every country, but there it’s quite common.
DANIEL: The butcher provided half a dozen horse larynxes, which the team blew air through and CT scanned, confirming the results from the stud farm. Finally, the team tracked down several stallions with a rare disease that tends to paralyze one of the vocal folds and recorded their whinnies. The low tone was partially absent, but the high pitch was unaffected. Here’s an example.
(SOUNDBITE OF HORSE WHINNYING)
DANIEL: Taken together, Briefer, who’s now at the University of Copenhagen, concludes that a whinny is a unique blending of vocal fold vibration that generates the low pitch and a whistling above the larynx that produces the high pitch. The results appear in the journal Current Biology.
JACOB DUNN: It’s a really interesting and exciting development in our understanding of animal communication.
DANIEL: Jacob Dunn is an evolutionary biologist at Anglia Ruskin University who didn’t participate in the research.
DUNN: So we know how they do it. The next question would be, why do they do it?
DANIEL: Answer might lie in previous work of Elodie Briefer which suggested the two tones of a whinny appear to encode different pieces of emotional information.
BRIEFER: The highest one indicates whether the emotion is pleasant or unpleasant, and then the other one indicates whether the emotion is intense or not.
DANIEL: Offering insights straight from the horse’s vocal tract. For NPR News, I’m Ari Daniel.
(SOUNDBITE OF GITKIN’S “CHICHA NOLA”)
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