Birmingham Poet uses a “House” to Explore her Personal Loss

 ========= Old Image Removed =========Array
(
    [_wp_attached_file] => Array
        (
            [0] => 2018/10/Emma_Bolden_for_web-scaled.jpg
        )

    [_wp_attachment_metadata] => Array
        (
            [0] => a:6:{s:5:"width";i:2560;s:6:"height";i:1441;s:4:"file";s:38:"2018/10/Emma_Bolden_for_web-scaled.jpg";s:5:"sizes";a:14:{s:6:"medium";a:4:{s:4:"file";s:31:"Emma_Bolden_for_web-336x189.jpg";s:5:"width";i:336;s:6:"height";i:189;s:9:"mime-type";s:10:"image/jpeg";}s:5:"large";a:4:{s:4:"file";s:31:"Emma_Bolden_for_web-771x434.jpg";s:5:"width";i:771;s:6:"height";i:434;s:9:"mime-type";s:10:"image/jpeg";}s:9:"thumbnail";a:4:{s:4:"file";s:31:"Emma_Bolden_for_web-140x140.jpg";s:5:"width";i:140;s:6:"height";i:140;s:9:"mime-type";s:10:"image/jpeg";}s:12:"medium_large";a:4:{s:4:"file";s:31:"Emma_Bolden_for_web-768x432.jpg";s:5:"width";i:768;s:6:"height";i:432;s:9:"mime-type";s:10:"image/jpeg";}s:9:"1536x1536";a:4:{s:4:"file";s:32:"Emma_Bolden_for_web-1536x864.jpg";s:5:"width";i:1536;s:6:"height";i:864;s:9:"mime-type";s:10:"image/jpeg";}s:9:"2048x2048";a:4:{s:4:"file";s:33:"Emma_Bolden_for_web-2048x1153.jpg";s:5:"width";i:2048;s:6:"height";i:1153;s:9:"mime-type";s:10:"image/jpeg";}s:9:"wbhm-icon";a:4:{s:4:"file";s:29:"Emma_Bolden_for_web-80x80.jpg";s:5:"width";i:80;s:6:"height";i:80;s:9:"mime-type";s:10:"image/jpeg";}s:13:"wbhm-featured";a:4:{s:4:"file";s:31:"Emma_Bolden_for_web-600x338.jpg";s:5:"width";i:600;s:6:"height";i:338;s:9:"mime-type";s:10:"image/jpeg";}s:20:"wbhm-featured-square";a:4:{s:4:"file";s:31:"Emma_Bolden_for_web-600x600.jpg";s:5:"width";i:600;s:6:"height";i:600;s:9:"mime-type";s:10:"image/jpeg";}s:18:"wbhm-featured-home";a:4:{s:4:"file";s:31:"Emma_Bolden_for_web-553x311.jpg";s:5:"width";i:553;s:6:"height";i:311;s:9:"mime-type";s:10:"image/jpeg";}s:22:"wbhm-featured-carousel";a:4:{s:4:"file";s:31:"Emma_Bolden_for_web-470x265.jpg";s:5:"width";i:470;s:6:"height";i:265;s:9:"mime-type";s:10:"image/jpeg";}s:28:"ab-block-post-grid-landscape";a:4:{s:4:"file";s:31:"Emma_Bolden_for_web-600x400.jpg";s:5:"width";i:600;s:6:"height";i:400;s:9:"mime-type";s:10:"image/jpeg";}s:25:"ab-block-post-grid-square";a:4:{s:4:"file";s:31:"Emma_Bolden_for_web-600x600.jpg";s:5:"width";i:600;s:6:"height";i:600;s:9:"mime-type";s:10:"image/jpeg";}s:14:"post-thumbnail";a:4:{s:4:"file";s:31:"Emma_Bolden_for_web-125x125.jpg";s:5:"width";i:125;s:6:"height";i:125;s:9:"mime-type";s:10:"image/jpeg";}}s:10:"image_meta";a:12:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1518943996";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";s:11:"orientation";s:1:"0";s:8:"keywords";a:0:{}}s:14:"original_image";s:23:"Emma_Bolden_for_web.jpg";}
        )

    [_media_credit] => Array
        (
            [0] => Jennifer Alsabrook-Turner
        )

    [_navis_media_credit_org] => Array
        (
            [0] => Bang Images
        )

    [_navis_media_can_distribute] => Array
        (
            [0] => 
        )

)
1676758073 
1540166464

Five years ago, Birmingham poet Emma Bolden faced an excruciating decision. She was 33. She wasn’t married and had no children, but decades of health issues led her to consider a hysterectomy. That decision and her subsequent surgery became a theme for her latest collection of poems called “House is an Enigma.” She spoke to WBHM’s Andrew Yeager about the book.

Interview Highlights

How the idea of a house became a metaphor for her body:screen-shot-2018-10-21-at-4-59-38-pm

“My doctors kept using this language of a house. They kept saying things like ‘we’re not sure that your body would be able to house a fetus. We’re not sure that you’ll be able to have a child because we don’t know if your body would be a good house for it.’ … As I was driving between doctors offices and my house I kept noticing this one house that just looked really, really angry itself. And I started thinking about how houses themselves must be pretty angry that we use them as metaphors for everything. I started to realize that house is me. That’s my body. And all of this is about how angry I felt about the fact that I was going through something that was so intense and not only could I not talk about it publicly but my doctors, who were the people who were supposed to be there guiding me through this decision, they wouldn’t even talk about it straight.”

Exploring the idea of losing the ability to have children:

“It’s a weird loss, right? Because it’s a loss that’s mourning something that never existed. I think that the way we deal with loss, particularly in this culture, is strange and not applicable to my situation at all because there’s kind of this idea that you’ll come to a point where you’ll accept this and you’ll get over it. You’ll be able to move on. There’s kind of a repetition in the book and in a way that was me cycling through my loss and my feelings of sadness and thinking, ‘ok, when I get to the end of this series, I’m going to finally accept it.’ Then I would get to the end of the series or the end of a certain time after I had surgery and be like, ‘yeah, no. Still not over it.’ So I think that one of the things that happened in the book is it gave me permission to keep mourning.” 

What she wants readers to take away:

“I think I wanted to give language to the kinds of experiences that women rarely talk about and the kind of introspection that I think is necessary to, I suppose, find the life that you really want rather than the life that other people tell you you should want. Maybe there’s somebody out here that’s experiencing what I experienced and if they pick up this book they won’t have to go through it and feel as lonely as I did.”

Hear Bolden read and discuss her poem “Beyond Love.”

 

 

 

Following Trump’s lead, Alabama seeks to limit environmental regulations

The Alabama Legislature on Tuesday approved legislation backed by business groups that would prevent state agencies from setting restrictions on pollutants and hazardous substances exceeding those set by the federal government. In areas where no federal standard exists, the state could adopt new rules only if there is a “direct causal link” between exposure to harmful emissions and “manifest bodily harm” to humans.

Trump would like the government he leads to pay him billions

President Trump is asking the federal government for billions of dollars in damages, putting his own Justice Department on the spot and creating an unprecedented ethical morass.

Australia bans a citizen with alleged IS links from returning from Syria

The Australian is among a group of 34 women and children who had planned to fly from Damascus to Australia on Monday but were turned back by Syrian authorities to the Roj detention camp due to procedural problems.

Russia’s hybrid warfare rattles Poland and NATO

Russia is stepping up covert attacks across Europe — rail sabotage, drones, cyber strikes — testing NATO. Polish officials warn "disposable agents" are sowing fear and weaken support for Ukraine.

‘Let them shower in hotels’: Johannesburg Premier faces backlash amid water crisis

In South Africa, as taps run dry in Johannesburg, Africa's richest city, a tone deaf remark by a senior politician there unleashes fury.

Greetings from Cairo, where lights and decorations transform the city during Ramadan

As Ramadan begins, traditional lanterns called fawanees brighten Cairo. They have become a symbol of Ramadan and are an almost-mandatory home decoration for the holy month in Egypt.

More Arts and Culture Coverage