Norman Rockwell’s America
Andrew Yeager | September 14, 2012
========= Old Image Removed =========Array
(
[_wp_attached_file] => Array
(
[0] => 2012/09/doughboy.jpg
)
[_wp_attachment_metadata] => Array
(
[0] => a:5:{s:5:"width";i:301;s:6:"height";i:341;s:4:"file";s:20:"2012/09/doughboy.jpg";s:5:"sizes";a:5:{s:9:"thumbnail";a:4:{s:4:"file";s:20:"doughboy-140x140.jpg";s:5:"width";i:140;s:6:"height";i:140;s:9:"mime-type";s:10:"image/jpeg";}s:9:"wbhm-icon";a:4:{s:4:"file";s:18:"doughboy-80x80.jpg";s:5:"width";i:80;s:6:"height";i:80;s:9:"mime-type";s:10:"image/jpeg";}s:18:"wbhm-featured-home";a:4:{s:4:"file";s:20:"doughboy-275x311.jpg";s:5:"width";i:275;s:6:"height";i:311;s:9:"mime-type";s:10:"image/jpeg";}s:22:"wbhm-featured-carousel";a:4:{s:4:"file";s:20:"doughboy-234x265.jpg";s:5:"width";i:234;s:6:"height";i:265;s:9:"mime-type";s:10:"image/jpeg";}s:14:"post-thumbnail";a:4:{s:4:"file";s:20:"doughboy-125x125.jpg";s:5:"width";i:125;s:6:"height";i:125;s:9:"mime-type";s:10:"image/jpeg";}}s:10:"image_meta";a:12:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";s:11:"orientation";s:1:"0";s:8:"keywords";a:0:{}}}
)
[_imagify_optimization_level] => Array
(
[0] => 1
)
[_imagify_data] => Array
(
[0] => a:2:{s:5:"stats";a:3:{s:13:"original_size";i:184695;s:14:"optimized_size";i:91951;s:7:"percent";d:50.210000000000001;}s:5:"sizes";a:8:{s:4:"full";a:5:{s:7:"success";b:1;s:8:"file_url";s:48:"https://news.wbhm.org/media/2012/09/doughboy.jpg";s:13:"original_size";i:111206;s:14:"optimized_size";i:37499;s:7:"percent";d:66.280000000000001;}s:9:"thumbnail";a:2:{s:7:"success";b:0;s:5:"error";s:77:"WELL DONE. This image is already compressed, no further compression required.";}s:9:"wbhm-icon";a:5:{s:7:"success";b:1;s:8:"file_url";s:54:"https://news.wbhm.org/media/2012/09/doughboy-80x80.jpg";s:13:"original_size";i:3606;s:14:"optimized_size";i:3577;s:7:"percent";d:0.80000000000000004;}s:13:"wbhm-featured";a:2:{s:7:"success";b:0;s:5:"error";s:77:"WELL DONE. This image is already compressed, no further compression required.";}s:20:"wbhm-featured-square";a:5:{s:7:"success";b:1;s:8:"file_url";s:56:"https://news.wbhm.org/media/2012/09/doughboy-300x300.jpg";s:13:"original_size";i:25448;s:14:"optimized_size";i:18532;s:7:"percent";d:27.18;}s:18:"wbhm-featured-home";a:5:{s:7:"success";b:1;s:8:"file_url";s:56:"https://news.wbhm.org/media/2012/09/doughboy-275x311.jpg";s:13:"original_size";i:24892;s:14:"optimized_size";i:18150;s:7:"percent";d:27.09;}s:22:"wbhm-featured-carousel";a:5:{s:7:"success";b:1;s:8:"file_url";s:56:"https://news.wbhm.org/media/2012/09/doughboy-234x265.jpg";s:13:"original_size";i:19543;s:14:"optimized_size";i:14193;s:7:"percent";d:27.379999999999999;}s:14:"post-thumbnail";a:2:{s:7:"success";b:0;s:5:"error";s:77:"WELL DONE. This image is already compressed, no further compression required.";}}}
)
[_imagify_status] => Array
(
[0] => success
)
)
1640396156
1347580800
Few painters have created images as popular and as intertwined with American culture as Norman Rockwell. For decades, Rockwell produced magazine covers for the Saturday Evening Post – illustrations which are folksy, nostalgic and idealized versions of the county. And even if you don’t know anything about Rockwell, there’s a good chance you’d recognize his work. Those covers and other items go on display Sunday at the Birmingham Museum of Art. We sent WBHM’s Andrew Yeager there to get a preview.
Additional commentary from curator Graham Boettcher
Other artists’ influence on Rockwell
“Boy Graduate”
“Love Ouanga”