Alys Stephens Center

Watch Live: The Gulf States Newsroom is hosting a live storytelling event.

The Gulf States Newsroom, a collaboration among public radio stations in Alabama, Mississippi and Louisiana, is teaming up with Back Pocket Media to put on a live storytelling event on Tuesday.

Sierra Hull reflects on the meaning of time on her album “25 Trips”

Sierra Hull's list of achievements includes a three-time mandolin player of the year by the International Bluegrass Association. The mandolinist and singer/songwriter takes a reflective look at her life on her latest album.

Itzhak Perlman Returns to Birmingham

World-renowned Violinist Itzhak Perlman performs at UAB's Alys Stephens Center Sunday. He talks about his career and whether classical music is still relevant today.

Ira Glass on Birmingham Performance, Upcoming TAL Project on Syrian Refugees

Ira Glass has one of the most recognizable voices in all of public radio. He’s hosted the wildly popular program This American Life for more than 20 years, and influenced a generation of young audio storytellers. Glass brings his unorthodox stage show “Three Acts, Two Dancers, One Radio Host," to Birmingham this weekend. As the title suggests, it features Glass, two dancers from Monica Bill Barnes & Company, and storytelling. WBHM's Rachel Osier Lindley talked with Glass to find out more.

Food and Fellowship: A Holiday Special from WBHM

Public Radio WBHM 90.3 FM is pleased to announce “Food and Fellowship: A Holiday Special from WBHM” featuring Birmingham’s own Dolores Hydock and Bobby Horton. WBHM partnered with Hydock and Horton to create and produce this original holiday program recorded at UAB’s Alys Stephens Performing Arts Center in front of a live audience. Its mix […]

Season Opener! Carlos Izcaray Leads the Alabama Symphony Orchestra

This weekend, newly appointed Music Director Carlos Izcaray conducts the Alabama Symphony Orchestra in a program featuring both modern and romantic works. Izcaray (pronounced “eez-ca-RYE”) spoke with WBHM’s Michael Krall about the program, his management style, and about how audiences might approach a modern, contemporary work. The conversation began with Izcaray talking about why he moved his […]

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