Birmingham’s Love Moor is Grabbing Ears Beyond the Magic City

 ========= Old Image Removed =========Array
(
    [_wp_attached_file] => Array
        (
            [0] => 2018/06/Love_Moor_for_web-scaled.jpg
        )

    [_wp_attachment_metadata] => Array
        (
            [0] => a:6:{s:5:"width";i:2560;s:6:"height";i:1440;s:4:"file";s:36:"2018/06/Love_Moor_for_web-scaled.jpg";s:5:"sizes";a:14:{s:6:"medium";a:4:{s:4:"file";s:29:"Love_Moor_for_web-336x189.jpg";s:5:"width";i:336;s:6:"height";i:189;s:9:"mime-type";s:10:"image/jpeg";}s:5:"large";a:4:{s:4:"file";s:29:"Love_Moor_for_web-771x434.jpg";s:5:"width";i:771;s:6:"height";i:434;s:9:"mime-type";s:10:"image/jpeg";}s:9:"thumbnail";a:4:{s:4:"file";s:29:"Love_Moor_for_web-140x140.jpg";s:5:"width";i:140;s:6:"height";i:140;s:9:"mime-type";s:10:"image/jpeg";}s:12:"medium_large";a:4:{s:4:"file";s:29:"Love_Moor_for_web-768x432.jpg";s:5:"width";i:768;s:6:"height";i:432;s:9:"mime-type";s:10:"image/jpeg";}s:9:"1536x1536";a:4:{s:4:"file";s:30:"Love_Moor_for_web-1536x864.jpg";s:5:"width";i:1536;s:6:"height";i:864;s:9:"mime-type";s:10:"image/jpeg";}s:9:"2048x2048";a:4:{s:4:"file";s:31:"Love_Moor_for_web-2048x1152.jpg";s:5:"width";i:2048;s:6:"height";i:1152;s:9:"mime-type";s:10:"image/jpeg";}s:9:"wbhm-icon";a:4:{s:4:"file";s:27:"Love_Moor_for_web-80x80.jpg";s:5:"width";i:80;s:6:"height";i:80;s:9:"mime-type";s:10:"image/jpeg";}s:13:"wbhm-featured";a:4:{s:4:"file";s:29:"Love_Moor_for_web-600x338.jpg";s:5:"width";i:600;s:6:"height";i:338;s:9:"mime-type";s:10:"image/jpeg";}s:20:"wbhm-featured-square";a:4:{s:4:"file";s:29:"Love_Moor_for_web-600x600.jpg";s:5:"width";i:600;s:6:"height";i:600;s:9:"mime-type";s:10:"image/jpeg";}s:18:"wbhm-featured-home";a:4:{s:4:"file";s:29:"Love_Moor_for_web-553x311.jpg";s:5:"width";i:553;s:6:"height";i:311;s:9:"mime-type";s:10:"image/jpeg";}s:22:"wbhm-featured-carousel";a:4:{s:4:"file";s:29:"Love_Moor_for_web-470x265.jpg";s:5:"width";i:470;s:6:"height";i:265;s:9:"mime-type";s:10:"image/jpeg";}s:28:"ab-block-post-grid-landscape";a:4:{s:4:"file";s:29:"Love_Moor_for_web-600x400.jpg";s:5:"width";i:600;s:6:"height";i:400;s:9:"mime-type";s:10:"image/jpeg";}s:25:"ab-block-post-grid-square";a:4:{s:4:"file";s:29:"Love_Moor_for_web-600x600.jpg";s:5:"width";i:600;s:6:"height";i:600;s:9:"mime-type";s:10:"image/jpeg";}s:14:"post-thumbnail";a:4:{s:4:"file";s:29:"Love_Moor_for_web-125x125.jpg";s:5:"width";i:125;s:6:"height";i:125;s:9:"mime-type";s:10:"image/jpeg";}}s:10:"image_meta";a:12:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1498923728";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";s:11:"orientation";s:1:"0";s:8:"keywords";a:0:{}}s:14:"original_image";s:21:"Love_Moor_for_web.jpg";}
        )

    [_media_credit] => Array
        (
            [0] => Courtney Little
        )

    [_navis_media_credit_org] => Array
        (
            [0] => FM Live
        )

    [_navis_media_can_distribute] => Array
        (
            [0] => 
        )

)
1619255374 
1528891527

Birmingham singer Love Moor cringes when asked about how her music is labeled.

“I don’t feel like I fit into any particular box,” says Moor.

It’s been called neo-soul. There are elements of R&B and hip-hop.

You’ll even hear some island sounds, thanks to her parents who are from the Caribbean.

After a career so far of performing around Birmingham, Love Moor is getting noticed beyond the Magic City.

Erica Andrew is her given name, although you’d better know her really well to call her that. She grew up in Miami and says music was embedded in her life practically from birth. Her mother wanted to be a singer. Her father was a DJ. She came to Birmingham in high school.

Her stage name developed as something of a self-empowerment symbol. There’s how it sounds. But the spelling is a nod to the Moors, who were North Africans in Spain during the Middle Ages.

“Moor is black people,” says Moor. “So it’s more like love self, love black, love me.”

Black identity, insecurity, and love are common themes in her music. That’s apparent on her second album, which came out last year,  called “Simp Girl.” It’s a musing on love and relationships from a woman’s perspective. To understand why the lyrics are so fraught, it’s helpful to understand what “simp” means.

Moor says it usually refers to a guy who is interested in a girl, showers her with gifts, does all he can to catch her eye, but she doesn’t care and doesn’t reciprocate. Moor reverses the roles.

“That’s why it’s called ‘Simp Girl.’ Cause it’s the opposite side,” says Moor.

Some artists write as an imagined character, but Moor says this album came out of personal experience.

“It’s like I could be that crazy person and do that crazy stuff,” says Moor. “But I went ahead and put all my emotion into my art and it sounds good and I like it.”

She says she didn’t have a lot of expectations for the album. She planned to just drop it and move on. But “Simp Girl” seemed to strike a chord with fans, including men.

“I’ve even had guys [say] you make me think about, you made me feel guilty,” Moor says. “I was like, good!”

Love Moor has been picking up fans around Birmingham the last few years. That’s expanding. She played at South by Southwest in Austin, Texas, this spring, even making it onto NPR’s list of artists to watch at the festival. She’ll be at Sloss Fest in Birmingham next month.

“I’m not overwhelmed, but I’m definitely ‘whelmed’ by it,” says Moor. “It feels great. I’m not sure what to call this space, but it’s just another section of growth.”

She says she’ll keep growing professionally and keep putting out music. Because for her, artistry is freedom.

 

Why haven’t Kansas and Alabama — among other holdouts — expanded access to Medicaid?

Only 10 states have not joined the federal program that expands Medicaid to people who are still in the "coverage gap" for health care

Once praised, settlement to help sickened BP oil spill workers leaves most with nearly nothing

Thousands of ordinary people who helped clean up after the 2010 BP oil spill in the Gulf of Mexico say they got sick. A court settlement was supposed to help compensate them, but it hasn’t turned out as expected.

Q&A: How harm reduction can help mitigate the opioid crisis

Maia Szalavitz discusses harm reduction's effectiveness against drug addiction, how punitive policies can hurt people who need pain medication and more.

The Gulf States Newsroom is hiring a Community Engagement Producer

The Gulf States Newsroom is seeking a curious, creative and collaborative professional to work with our regional team to build up engaged journalism efforts.

Gambling bills face uncertain future in the Alabama legislature

This year looked to be different for lottery and gambling legislation, which has fallen short for years in the Alabama legislature. But this week, with only a handful of meeting days left, competing House and Senate proposals were sent to a conference committee to work out differences.

Alabama’s racial, ethnic health disparities are ‘more severe’ than other states, report says

Data from the Commonwealth Fund show that the quality of care people receive and their health outcomes worsened because of the COVID-19 pandemic.

More Arts and Culture Coverage